I will greatly multiply thy sorrow and thy conception. In sorrow thou shalt bring forth children, and thy desire shall be to thy husband, and he shall rule over thee.
In the poignant sculpture by Delaplanche pictured here, the vacant, tearless eyes and agonized posture of the solitary slumped figure bespeak the depth of Eve’s utter hopelessness immediately after her transgression. While scripture describes the results of transgression differently for Adam than for Eve, the ultimate effect of these consequences is essentially the same: a mortal life replete with the opposing experiences of good and evil, pleasure and pain.

Jewish pseudepigraphal texts tell of how, after Adam and Eve’s transgression, God’s “chariot throne [descends and] rests at the Tree of Life and all the flowers come into bloom.” Of this painting, Conisbee writes:

The Rebuke of Adam and Eve perfectly illustrates Domenichino’s classical style at the peak of his career. … The group of God and the angels is derived directly from Michelangelo’s Creation of Adam. … and should be read as an homage by the seventeenth-century painter to his great predecessor.